Ecco alcune fotografie di “Closer” che è in corso presso la QR Photogallery di Bologna.
Due South, Philadelphia
Suspended è stato selezionato da Marianne Bernstein come il progetto per la mostra Due South. Due South is an international curatorial project conceived and curated by Marianne Bernstein, the second in a quartet of artistic investigations into volcanic islands: Due …
Touch Ground selected for Closer, Dentro il Reportage
Touch Ground è stato selezionato come uno dei progetti vincenti per “Closer, Dentro il Reportage”. Le fotografie saranno in mostra presso la QRPhotoGallery di Bologna, dal 27 gennaio 2017, nel contesto dell’Arte Fiera Bologna.
Immagini dal Paese dove fioriscono i Limoni, Agrigento, Italy
Il Centro Culturale Pier Paolo Pasolini, grazie al MUSEUM di Bagheria, con il patrocinio dell’Assessorato Regionale ai Beni Culturali e dell’Identità Siciliana e il sostegno del Museo Diocesano di Agrigento, delle FAM e del Distretto Turistico Valle dei Templi ha …
Ocoloy: The Show
OCOLOY: the genesis and the results… So here is what we did: I brought into Sikanie the idea of a One Camera, One Lens, One Year project back in January this year. Not too much original, indeed, it’s a typical …
La Quatrieme Image: alcune foto della fiera
With 18.310 visitors this year La Quatrieme Image 2015 has reached it’s record so far in terms of visitors. Here some snapshots:
Ocoloy: la prima mostra a Catania
OCOLOY, One camera, One Year, One Lens, becomes a first group exhibition. Nine different authors, facing the challenge of using one single camera and lens for one year, and meeting every month to discuss about their ongoing effort, produced a …
La Forza Delle Rovine: some articles on the exhibition
There are a number of articles that have been published by major Italian newspapers on the exhibition currently going on in Palazzo Altemps in Rome. Here is a small collection.
La Forza delle Rovine: alcune foto del vernissage
La Forza delle Rovine opened in Rome on October 7th. Here some snapshots of the opening, and a first coverage of the exhibition mostly focused on the first section, “Catastrophes: modern and contemporary ruins” where my photograph is displayed.